Tag: seventh star

Slaying giants and old tropes

By Steven L. Shrewsbury

An old trope sounds like a creature that lives under a bridge waiting for billy-goats, gruff and otherwise. What is this I speak of?

“In the arts, a trope is simply a common convention in a particular medium. It refers to anything that gets used often enough to be recognized. When you see a kid running around with a cape and know they’re pretending to be a superhero, you’ve recognized the trope that superheroes wear capes.”

An old trope is like having a dragons, dwarves and wizards in a fantasy novel. It isn’t necessary, but they pop up a great deal. Like one’s manhood, it all depends on how one uses such a thing if it is entertaining or not. In my new novel Killer of Giants there are no dragons (lots of other monsters), a few dwarves near the end, and a couple wizards. I’m guilty of using such tropes, but not in excess. The dwarves in Killer make a cameo appearance at the end, and the wizards? Well, they are evil bastards as always.

I had Gorias La Gaul beat a few guys to death with a dwarf, literally used as a foreign object in Thrall. He was a jerk necromancer on top of it. If I have a dragon appear, they are something different, like being undead (in Thrall and Curse of the Bastards), and in the forthcoming Gorias novel Reckoning Day, made of water. The idea should challenge not only the reader to go to a new place, but the writer to create a different view.

I have never used a monster manual to explore monsters, the endurance of characters or the parameters of a world. Years ago, I had an undead dragon in a WIP and a friend said, “Oh! A draco-lich!” I liked the term and used it, but I didn’t research the origin of the term. In Born of Swords, we see a dragon that loves to feast on the dead, eating out of tombs cut in cliff faces. Why? I just thought it was cool. A fan once tried to say, “Well, I’ve heard that blue skinned dragons are eaters of the dead.” Well, yeah, sure, because I just decided this one was like that. Why? Thought that for the area, where folks were entombed about the cliffs, it was a good idea and visual. If I broke a commandment of some kind in a lore manual, well, I’ll likely go to hell for worse behavior than that.

Wizards are another thing oft appearing in fantasy literature. I try and shy away from the wizards living in a cave, wearing robes…but that image persists a bit. I confess to making wizards appear in my works, but they are usually not nice guys or girls. Probably a tad extreme, but I find that entertaining and hope readers do, too.

So I reckon I’m not on a quest to destroy all old tropes as it were. I do things my own way and hope folks will find it enjoyable. I’ve been chastised a few times about the salty language in my works. I’ll paraphrase the late Karl Edward Wagner when he was given grief about saying shit or fuck in a book. If a character falls and hits their head, I really doubt they screamed FORSOOTH! thousands of years ago. Did they say shit or fuck? Not exactly, but something close…that didn’t sound like the King’s English…which they also didn’t speak thousands of years ago, either.

I implore everyone to read. Read things not just in your comfort zone, especially if you’re a writer. If you love horror, read a western. See how different stories are told. Read romance. Yes, you heard me. Why? Well, they outsell horror for starters and one might learn something. I write a lot of fantasy, but I read a great deal of biographies and historical works. Some of these facts slip into a tale or augment a culture set in an ancient time. It makes things interesting, I’ve found, and I’m certain I’m not the only one doing it.

So, check out my new novel, Killer of Giants from Seventh Star Press. It’s a rough, rowdy tale full of grit and wild happenings.

In an antediluvian world, Keltos warrior Rogan emerges as the lone survivor of a battle. Slaying a Nephilim giant from Shynar, Rogan takes back the mammoth his folk gifted the kings.

Soon, warriors are sent to recapture the mammoth and bring it to the Lord of the world, Zazaeil, a demon in human flesh, and the Nephilim giant Marduk, in the fabled city of Irem.

After learning that his sister is to be a sacrificial bride to Marduk, Rogan journeys to Irem in the company of Elisa, a warrior herself, whose mother is a wizardess. With a horde of warriors in pursuit, they encounter many evils, monsters, and challenges to their selves and souls.

Will the song of Rogan’s blood make him strong enough to be the Killer of Giants?

Coming soon to the Literary Underworld! 

 

 

About the author:  Award-winning author Steven L. Shrewsbury lives and works in central Illinois. He writes hardcore sword & sorcery, fantasy and horror novels. Twenty of his novels have been published, including Killer of Giants, Beyond Night, Born of Swords, Within, Overkill, Philistine, Hell Billy, Thrall, Blood and Steel, Stronger Than Death, Hawg, Tormentor and Godforsaken. His horror/western series includes Bad Magick, Last Man Screaming, Mojo Hand and Along Come Evening. He has collaborated with Brian Keene on the works King of the Bastards, Throne of the Bastards and Curse of the Bastards, and Peter Welmerink on the Viking saga Bedlam Unleashed. A big fan of books, history, the occult, religion and sports, he tries to seek out brightness in the world, wherever it may hide.

 

 

 

 

 

 

 

Guest Post: A Day in the Life of Writing

By Cathy Jackson

The life of a writer is a strange and wonderful thing, and varies from person to person. To create new friends, introduce a reader to new places, and bring a novel to life is an amazing honor. It’s sometimes an easy process, but there are times we struggle to create even a simply phrase. Writing is an occupation that encompasses the mind and soul.

At least it does for me. My husband says I become manic when I write and “zone out” at the computer. To be perfectly honest, once I put in my earbuds and the music streaming from them enters my thoughts, most external influences fall away. My thoughts and feelings become centered on what I see in my mind’s eye. Everything I am becomes about relating what my imagination sends to my fingertips, and I get to convey, to the best of my ability, everything I see, hear, “touch,” “taste,” and “hear.”

One of the amazing things about being a writer is a sharp focus to give myself completely over to whatever is happening at the time. Whether something is happening on or off the page, there is a heightening of the senses that doesn’t seem to ever switch off. Often I’m overwhelmed, but have learned to temper what I’m sensing from around me.

A day in my life is crazy, but I wouldn’t have it any other way. My day pre-starts at 4 a.m. when my husband gets up for work. We chat as he dresses for the day, he reads a chapter or two out of the Bible and we pray, then I fall back to sleep for a few hours before it’s my turn to get up. I say a quick prayer, asking God to use me for His glory, and rouse our 15-year-old. He’s remote schooling this year. I pray with him, go through his studies, and then start the housework. Once the housework is done, I get to answer emails and messages on all my social networks. By then, it’s around noon, and I haven’t begun to write on any manuscript. If I am very lucky, I’ll have about two hours to promote one or two of my seventeen published novels before I write.

Lately, I’ve been writing about 30 minutes to an hour a day. The time is enough to release some of the creative energy and I feel great. One more check on our son’s school day before he logs off and I start dinner. We try to have dinner together as a family, schedules permitting this to happen, and then an hour or two of down-time with my husband before bed.

Every writer’s schedule is different, and each day brings its own challenges, but we couldn’t imagine not wanting to do what we do. We love it, and feel called to bring novels to readers. As an avid reader myself, I love when my favorite writers release new novels. It’s nice to read the thoughts from those who read the novels I write when they write a review. Those precious words encourage me and I’m grateful for each review I receive.

Min Eurozan by Cathy Jackson

I am no longer on Earth, nor any other place I know.

I have scant memory of how or why I came to be here.

Time continues to ebb and flow with my memories and the strange, seductive men who inhabit them.

The only constant is Love.

One owns my Body, he equally possesses and protects me.

One holds my Heart, wanting me as his friend and lover.

One challenges my Mind, he’s captured me with his patient intellect.

One completes my Soul, our love is the deepest and most pure.

One heats my Blood, bringing with him fire and need.

I love them all, and I love them as One.

 

Cathy Jackson is a midwestern Christian mother of two twentysomethings and two teenagers. Reading is a passion of hers, but she adores writing. Some of the best people have been placed in her life to help her publish her books. They are a blessing and mean more to her than they will ever know. She loves writing scenes that uplift and encourage along with making one feel the experience. She wants readers to finish the books feeling hope, love, and happiness. To date, the books she has published are inspirational (Christian) romances, but they have a contemporary romance feel.

Author Links:

Guest voices: Edale Lane on the writing process

From our friends at Seventh Star Press: Edale Lane is the author of an award winning 2019 debut novel, Heart of Sherwood. She is the alter-ego of author Melodie Romeo, (Vlad a Novel, Terror in Time, and others) who founded Past and Prologue Press. Both identities are qualified to write historical fiction by virtue of an MA in history and 24 years spent as a teacher, along with skill and dedication in regard to research. She is a successful author who also currently drives a tractor-trailer across the United States. A native of Vicksburg, Miss., Edale (or Melodie as the case may be) is also a musician who loves animals, gardening, and nature.

My Writing Process – from research to manuscript to editing

A lot of work goes into writing a novel; some may even say blood, sweat, and tears. And there are as many successful ways to approach and carry out this momentous labor of love as there are authors who endeavor in the process. I will give you a brief look at the methods I use.

Which comes first—the plot, the characters, the setting, the theme, or do they just all meet somewhere in the middle? When I wrote Heart of Sherwood, the idea that popped into my head was to write a gender-bent version of the Robin Hood story, and all the vital elements were there from the conception. For the Night Flyer Trilogy, I’d have to say it was the setting paired with the superhero element. I wanted to write a story that was unique, with a seldom-used era and location. While some novels are set in Renaissance Italy, they are few and far between compared to Medieval, Regency, Old West, World War II, etc. I began to think, what if there was a kind of “Batwoman” who lived in the time of Leonardo da Vinci? What inventions could she come up with? What bad guys might she face?

That led me to conceptualize the characters of Florentina, Madelena, and Alessandro, but before I could begin I needed to research to discover exactly where and when the action would take place. I knew Florentina was a former student of da Vinci and chose Milan because of the wealth of its merchant class, as well as being a city da Vinci lived in for a time. Also to timing, I wanted one of his significant works of art to be completed for my characters to see—the Last Supper—and I planned to include an epic battle scene, so there needed to be a war happening.

When I discovered that the story was too long to fit into one book, I broke it into three acts and started writing book one. Every time I needed to set a scene, there was research: what variety of trees and flowers grew there, what would each person be wearing, what did the furniture look like. I never completed a chapter without half a dozen windows open in my browser to check the accuracy of every detail. The same thing is true with everything I write. The thesaurus is also open as so I can check if a word was in use. Choosing language was easier with Heart of Sherwood because they spoke English (and French, but for simplicity’s sake I stuck with English); for the Night Flyer series I just made sure a word wasn’t too modern while throwing in Italian terms of endearment. Writing and researching were an intertwined duo throughout from beginning to end.

Authors have differing methods of planning their books. After conjuring the concept, my next step is to create a notes file. Here I first do character sketches of my primary cast (and add to it when I introduce a secondary character). I like to “see” my players and have an easy reference if I forget a detail about them. They have physical descriptions, but also characteristics, mannerisms, likes and dislikes, so that fully realized people inhabit the pages. Next, I jot down a plot outline which invariably sees tweaks and changes as the story flows onto the pages. (Guess that makes me both a “plotter” and a “pantser”!) I also include historical information, places and dates, etc. on the notes pages. Back in the day, I wrote all of this out in longhand in a notebook and then wrote the manuscript in pencil to make corrections easier. (I REALLY like doing it on a computer much better!)

As I complete each chapter, I send it to my partner and we read over it together. She is good at finding mistakes and makes good observations and suggestions, but I save the in-depth editing for when the manuscript is finished. Not every writer does this, but I find that I finish a novel faster this way. It is easy to get bogged down in editing and when I get on a roll I just want to flow with it.

When all is said and done, I go back one chapter at a time and use an editing program to help me make changes and corrections. While there are a lot of good ones, I use ProWritingAid. There is also checking the manuscript using the search and find word tool to be sure I have spelled all the names the same each time I used them. Spelling is a real Achilles’ heel for me! I also evaluate if a passage is relevant, or if further explanation is necessary, does it need less or more? Is my presentation of characters and language consistent? Can I “see” the action sequences as I read them? And even though my works are historical fantasy, I focus on the question, “Is this believable?” because I want the reader to come away thinking that this could have really happened.

Because of my day job as an over-the-road truck driver, I have limited time to get my book typed up, so I think up everything—characters, action, dialog, climaxes, etc—while I’m driving down the road. I have a voice recorder to take notes on. I will replay a scene repeatedly in my head so that when I park I can type it up fast, except for the time needed to research the details.

So, that’s my current process: create, plan, deviate from plan, then go back and fix what doesn’t work. Hopefully, the finished product is one that will inform, inspire, and delight the reader.

One woman stands between chaos and order – the Night Flyer.

When chaos strikes at the heart of Milan, it is up to Florentina’s alter-ego the Night Flyer to stop it. As Florentina and Madelena’s love deepens, so does the well of danger surrounding them. The race is on to discover the mysterious Shadow Guild and uncover who is behind the deadly rampage, but Florentina’s mission is threatened by a gang of assassins. Can the Night Flyer prevail, or will Maddie’s love be ripped from her arms?

Chaos in Milan is the third book in Edale Lane’s Night Flyer Trilogy, a tale of power, passion, and payback in Renaissance Italy. If you like action and suspense, rich historical background, three-dimensional characters, and a sweet romance, then you’ll want to complete the Night Flyer saga.

Check out the rest of the Chaos in Milan blog tour!

Pick up Chaos in Milan on Kindle, Amazon or Barnes and Noble!

Blending history and fiction

Historical fiction novels allow the author to transport the reader to another time and place the way fantasy and sci-fi do, only instead of experiencing an imaginary world they delve into a real one. We can place any genre of fiction in the past, and it becomes a sub-set of historical writing. Having been a teacher for twenty-four years, I revel in the thought of readers learning something from my books just as much as I do them enjoying the characters and plot of the story. So, how do we take the imagination required for fiction and blend it with recorded facts?

There are several approaches to framing the historical novel, but they all require careful research and naturally flowing presentation of the era chosen. The most common method is to introduce a troupe of completely fictional characters into a particular setting in the past. Many authors choose an era they have a personal interest in, such as Medieval or Regency, immersing themselves and their readers in a period they enjoy. Some well-known examples include Gone with the Wind, All the Light We Cannot See, A Tale of Two Cities, and The Red Badge of Courage. Each of these acclaimed novels includes actual circumstances—the burning of Atlanta, Nazi occupation of France, the French Revolution, and a Civil War battle. These writers employ accuracy regarding the events while allowing themselves complete control over their character’s lives. In each of these tales, it is the lasting themes, the resilience and growth of the characters we remember as much as or more than the history. The novelists bring them to life in another place and time so vividly that we feel as if we know them and can relate to their situations. 

Other historical fiction writing centers on actual people and the author is constrained by what chronicles have recorded. Unless one is crafting an Alternative History story, he pretty much needs to know his script well and stick to it. That does not mean the novelist has no creative freedom at all; he must interpret the various sources at his disposal in a way that grants vitality to the historic figure. For example, in The White Queen the exact words spoken by Elizabeth of York were not recorded, nor what she was thinking or feeling at any given time. Those are for the writer to assign based on his interpretation of the protagonist.

In Tribute in Blood, I have combined elements from both of these two methods of historical fiction writing. While my protagonists are both imagined characters, the villain, Vlad the Impaler, was a very real tyrant. I engaged in thorough research, relying heavily on primary sources to “get to know him.” I believe the Vlad represented in my novel is not too far off the mark of who he truly was, but being separated by five hundred years and having never met him, I had to draw many conclusions. Secondary historic figures were also included in Tribute in Blood as well as numerous actual recorded facts, but Nicolae, Maria, and the townspeople were all my creations.

A third style of historical fiction writing bases the characters and action on real events or people, but are fictionalized for storytelling purposes. When you see “based on a true story” you know that something similar to what is in the book actually happened, but it is not meant to be a pure academic account. The Nightingale and War Horse are two examples. They are founded partly on real people (and horses) and include factual events and elements, but are not literal biographies of a particular man or woman. Once again, scholarly research is required to hit every note in creating the setting and accurately describing the action presented to the reader.

Sometimes a book completely blends a fictional cast and plot with a famous individual set among them. An excellent example of this is Girl with a Pearl Earring, a novel based on the acclaimed painting by Vermeer, with the artist included as a character in the book.

There are as many ways to construct a historical fiction novel as there are ways to cook potatoes, but there are a few guidelines authors should follow in order for their work to be credible. World creation needs to be consistent, avoiding the use of modern expressions and mindsets. The time period presented must be true to itself. While we love recreating the past and transporting our readers back in time, we should remember that it is our characters, their hopes and dreams, fears and trials, triumphs and failures that ultimately matter. It may be interesting to read something that is as accurate as a textbook, but if the audience never truly engages with the characters, they will come away disappointed.

To conclude, good historical fiction writing is a marriage of excellent research and quality storytelling. Choose a period that fascinates you and lead your readers to fall in love with it too through dynamic characters on an extraordinary journey straight into their hearts. 

Melodie Romeo, who also writes under the pen name Edale Lane, is the author of the award winning 2019 novel, Heart of Sherwood, and the Night Flyer Trilogy. As Melodie Romeo, she has written Vlad a Novel (soon to be re-released as Tribute in Blood), Terror in Time, and others. She founded Past and Prologue Press in 2019.

Both identities are qualified to write historical fiction by virtue of a masters degree in history and 24 years spent as a teacher, along with skill and dedication in regard to research. She is a successful author who also currently drives a tractor-trailer across the United States.

A native of Vicksburg, Miss., Melodie is also a musician who loves animals, gardening, and nature.

Twitter:   @EdaleLane

Official Site:  https://pastandprologuepress.lpages.co/

The most terrifying horrors are revealed in the pages of history.

After killing more than 100,000 people during his first reign as Prince of Walachia, Vlad has returned, ready to inflict tortuous death on anyone he chooses. Only Nicolae and Maria, drawn together through mutual tragedies both inflicted by the ruthless Prince Dracula, dare try to stop him. Can Nicolae fulfill his plan of justice and revenge while winning the heart of the lovely Maria, or will he become the Impaler’s next victim?

With heart-stopping danger at every turn, detailed historical accuracy combined with fictional characters, and a myriad of surprises, Tribute in Blood is sure to keep you on the edge of your seat.

Buy it today!

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The ‘Empire’ Challenge: Writing the second book in a trilogy

Trilogies and books in a series have become standard mode-of-operandi for authors in recent years. A trilogy is born when the story is too big to complete in just one novel, whereas books in a series simply continue the adventures of the characters established in the first book, introducing new plot-lines for each installment. The Night Flyer Trilogy is an example of the first.

I chose to pattern the three-novel arc on my two favorite trilogies–the Lord of the Rings and the original Star Wars Trilogy. In both of those celebrated works, there existed one over-arching plot, villain, and mission for the heroes to accomplish while being broken into three self-contained acts. Rather than employ impossible cliff-hangers to lure readers to the next book, I chose to follow the examples of Tolkien and Lucas by ending books one and two with a satisfactory wrap of the crisis at hand while still leaving the ultimate goal unfulfilled.

Some readers and movie goers are disappointed when a sequel does not live up to the original; much of my focus in writing Secrets of Milan was to ensure this was not the case. Thus far I have been relieved to read reviews stating the reader thought it was even better than Merchants of Milan.

The main plot line had already been laid out before I even started to write Secrets, but details emerged as I went along. One example is the heart-to-heart conversation between Madelena and her sister-in-law, Portia. Such an intimate scene was not part of the original conception, whereas big things like the church bombing was; but as I wrote Maddie’s story and saw that she longed so much to have someone to share the secret of who she loved with, I considered Portia–an older woman who shared the same household and was thoroughly in love with her husband, Alessandro (Maddie’s doting brother). If anyone in the cast of characters would be sympathetic to Maddie’s dilemma, it would be the pretty, petite Portia. I tried to broach the subject as organically as possible and hope it came across as such.

This book is somewhat longer than the first, but in the same basic word count range. One challenge was to keep the word count near to that of Merchants of Milan without skimping on anything important. Another decision that vexed me was how long to keep up the separation between Maddie and Florentina in the first segment of the novel. I wanted it to be long enough to create the desired tension and release, but not so long that it became tedious.

If anyone noticed, this book had its own internal trilogy, or three acts. The first was solving the romantic problem between the two lead characters while following some dead ends in the investigation. This culminated in the church bombing and Maddie resolving her issues. In the second act, the Night Flyer hunts down the man responsible for the church bombing while they work together on solving the mystery of the secret society which may have claimed another victim in one of Maddie’s friends. The third and final act is their trip to Rome for the exciting climax. As in the first book, this one ends with one villain defeated while the illusive mastermind is still at large.

In the third act, my researched paved the way for details to take form as I learned something new. Before writing Secrets of Milan, I had never heard of the Church of Quo Vadis south of Rome along the Appian Way. Upon discovering this unique landmark, I went back and included a reference to it in the clues so that Florentina would think of it when trying to find the suspected meeting place of the clandestine organization they sought to uncover. It is a small chapel built on the supposed site where Jesus appeared to St. Peter and told him to go back to Rome. Inside is on display a stone that has the impression of a set of human footprints that they claim belong to the risen Christ. The area near that chapel is home to one of many catacombs of Rome. From the original book outline, Florentina would seek out the shadowy cadre in catacombs, but discovering this tidbit provided me with the means by which she would find them. The catacombs dated back well over a thousand years in 1503, but had fallen out of use hundreds of years earlier and were not officially rediscovered until the mid-1500s, so Florentina needed another way to learn of an entrance. Enter the fascinating Church of Quo Vadis.

I have enjoyed researching and writing Secrets of Milan and hope readers think it lives up to my expectations for the second book of a trilogy. Characters and relationships grow and transform while we inch closer to uncovering the mysteries that lie hidden in the shadows. Look for lots of action in the final installment, Chaos in Milan! 

Edale Lane is the author of an award-winning 2019 debut novel, Heart of Sherwood. She is the alter-ego of author Melodie Romeo, (Vlad a Novel, Terror in Time, and others) who founded Past and Prologue Press. Both identities are qualified to write historical fiction by virtue of an MA in history and 24 years spent as a teacher, along with skill and dedication in regard to research. She is a successful author who also currently drives a tractor-trailer across the United States. A native of Vicksburg, Miss., Edale (or Melodie as the case may be) is also a musician who loves animals, gardening, and nature. Follow her on Twitter at @edalelane or on her website!

While Florentina as the Night Flyer searches for a mysterious underworld organization that has attempted to murder the woman she loves, Maddie struggles to deal with the danger Florentina is courting. Her brother, Alessandro, has become the most prominent merchant of Milan, but the Night Flyer uncovers a secret so shocking it could destroy them all.

Secrets of Milan is the second book in Edale Lane’s Night Flyer Trilogy, a tale of power, passion, and payback in Renaissance Italy. If you like drama and suspense, rich historical background, three-dimensional characters, and a romance that deepens into true love, then you’ll want to continue the Night Flyer saga.

Follow the rest of the Secrets of Milan blog tour!

Buy it now! Kindle Version or Print!

Bringing the stories together

Today’s guest voice is Michael Williams of Seventh Star Press, one of our partners here at Literary Underworld. Over the past 25 years, Michael Williams has written a number of strange novels, from the early “Weasel’s Luck” and “Galen Beknighted” in the best-selling DRAGONLANCE series to the more recent lyrical and experimental “Arcady,” singled out for praise by Locus and Asimov’s magazines.

Michael Williams

Williams’ highly anticipated City Quartet was completed by the publication of Tattered Men in October 2019. The four volumes may be read in any order–four stories that intertwine, centered in the same city, where minor characters in one novel become central in another:

  • “Vine: An Urban Legend” is the story of an amateur stage production In Louisville’s Central Park, gone darkly and divinely wrong.
  • “Dominic’s Ghosts” takes up the story of a son in search of his father in the midst of a murky conspiracy involving a suspicious scholar, a Himalayan legend, and subliminal clues from a silent film festival.
  • “Tattered Men” is the account of a disheveled biographer, writing the life story of a homeless man who may have been more than he ever seemed.
  • And “Trajan’s Arch” is a coming-of-age story replete with ghosts, a testimony to hauntings both natural and supernatural.

Bringing the stories together

It’s no great wisdom to say that setting is character.  Most writers know this implicitly, especially if you’re writing fiction that resides in alternate, changed, or parallel worlds.  Tolkien’s Middle Earth is as much an actor in the epic story as Frodo or Gandalf: it shapes events, uncovers mysteries, guides possibilities.  The same for Martin’s Westeros, Le Guin’s Earthsea, Ray Bradbury’s Mars.

But also Garcia Marquez’s Macondo, Lawrence Durrell’s Alexandria, William Faulkner’s Yoknapatawpha County.  Place is a factor not only in speculative fiction, but in many of the other stories that shape our reading.

I’ve been asked to comment on how my City Quartet is put together, how it addresses the primary task of writing interrelated novels that stand alone—an odd tactic in a publishing industry that is fond of the series.  Because the City Quartet is by no means a series: instead it is an arrangement of books, a world of four worlds that the reader can enter from any of its four volumes, can read in any order.  I like to think that in some ways it is like a musical quartet, in which four parts commingle and interweave, forming a work that is larger than the sum of its components.

And it starts with setting.

The City Quartet takes place in a modern Midwestern city that is and is not my native Louisville.  Composed of the streets and neighborhoods, the suburbs and the sites that would be recognizable to any native or visitor, the fictional city is nonetheless a bending of the actual one, layered in time and in alternative versions, but ultimately anchored in the very real city I remember, work in, and visit.  And as every city has its lore, from history to urban legend, so does mine, and it intersects with that of the actual Louisville, draws from the stories I heard in childhood and read about in newspapers and local chronicles; nevertheless, a lot of my city is invented, made up by and around the characters I put in the books.

Each of the books is a self-contained novel.  Each has a narrative arc that I hope is successful.  Whether you read Trajan’s Arch or Tattered Men, Dominic’s Ghosts or Vine: An Urban Legend, you get a beginning, middle, and end to a story; you have characters who change and grow because of what happens to them; I hope you turn the pages eager to find out what those changes are.

You get that if you read only one of the novels.

If you read a second, and a third or fourth, you get the design and pattern and weaving of the books.  Primary characters in one book appear in secondary roles in another, perhaps about the business of one of the stories you are not reading at the time, glimpsed in an excerpt or a cameo.  Or perhaps they’re on an adventure only implied in a third book, or you see the same scene from a different point of view: an encounter you saw in Trajan’s Arch you will see again in Dominic’s Ghosts, but from a different point of view, so that it feels differently and means a different thing, and the meaning of that encounter complicates and deepens.

But if you see the encounter only once, only in one book, it should still make sense.  You should understand it in terms of one version without needing to refer to another novel to find out what the hell is going on.  The novels relate to each other more than they depend on each other: their connection is more textural and musical than linear and causal.

So you can enjoy each by itself; taken together, however, you get more of the jokes, see more connections, and slowly come to the conclusion, I hope, that our stories, like ourselves, are part of each other.

Follow the rest of Williams’ blog tour through Tomorrow Comes Media!

Dominic’s Ghosts

Dominic’s Ghosts is a mythic novel set in the contemporary Midwest. Returning to the hometown of his missing father on a search for his own origins, Dominic Rackett is swept up in a murky conspiracy involving a suspicious scholar, a Himalayan legend, and subliminal clues from a silent film festival. As those around him fall prey to rising fear and shrill fanaticism, he follows the branching trails of cinema monsters and figures from a very real past, as phantoms invade the streets of his once-familiar city and one of them, glimpsed in distorted shadows of alleys and urban parks, begins to look uncannily familiar.

Vine: An Urban Legend

Amateur theatre director Stephen Thorne plots a sensational production of a Greek tragedy in order to ruffle feathers in the small city where he lives. Accompanied by an eccentric and fly-by-night cast and crew, he prepares for opening night, unaware that as he unleashes the play, he has drawn the attention of ancient and powerful forces.

Michael Williams’ VINE: AN URBAN LEGEND weds Greek Tragedy and urban legend with dangerous intoxication, as the drama rushes to its dark and inevitable conclusion.

Trajan’s Arch

Gabriel Rackett stands at the threshold of middle age. He lives north of Chicago and teaches at a small community college. He has written one novel and has no prospects of writing another, his powers stagnated by drink and loss. Into his possession comes a manuscript, written by a childhood friend and neighbor, which ignites his memory and takes him back to his mysterious mentor and the ghosts that haunted his own coming of age. Now, at the ebb of his resources, Gabriel returns to his old haunts through a series of fantastic stories spilling dangerously off the page–tales that will preoccupy and pursue him back to their dark and secret sources.

Tattered Men

When a body washes ashore downstream from the city, the discovery saddens the small neighborhood south of Broadway. A homeless man, T. Tommy Briscoe, whose life had intertwined with a bookstore, a bar, and the city’s outdoor theater had touched many lives at an angle. One was that of Mickey Walsh, a fly-by-night academic and historian, who becomes fascinated with the circumstances surrounding the drowning.

From the beginning there seems to be foul play regarding Briscoe’s death, and, goaded on by his own curiosity and the urging of two old friends, Walsh begins to examine the case when the police give it up. His journey will take him into the long biography of a man who might have turned out otherwise and glorious, but instead fell into and through the underside of history, finding harsh magic and an even harsher world. Despite the story of Tommy’s sad and shortened life, Walsh begins to discover curious patterns, ancient and mythic, in its events—patterns that lead him to secrets surrounding the life and death of Tommy Briscoe and reveal his own mysteries in the searching.

Blending history and romance with Edale Lane

Edale Lane is the author of the award-winning 2019 debut novel, Heart of Sherwood. She is the alter-ego of author Melodie Romeo, (Vlad a Novel, Terror in Time, and others) who founded Past and Prologue Press. Both identities are qualified to write historical fiction by virtue of a masters degree in history and 24 years spent as a teacher, along with skill and dedication in regard to research. She is a successful author who also currently drives a tractor-trailer across the United States. A native of Vicksburg, Miss., Edale (or Melodie as the case may be) is also a musician who loves animals, gardening, and nature.

Merchants of Milan, Book One of the Night Flyer Trilogy, is a work of alternative history/historical romance. It isn’t entirely historical as there are no accounts that I am aware of after exhaustive hours of research that refer to a flying vigilante in Renaissance Milan. However, the period accuracy in regard to science, culture, art, architecture, political, and military history declare it is not a fantasy composition by any means. The novel falls into that branch of fiction where the author asks the question, “What if?”

What if there had been a 16th century superhero?

Neither is this story a classic formula romance. I like to include romance as an element in my novels because, well, people really do fall in love. There are few universal truths, but one of them is that everyone wants to be loved. Furthermore, most normal people also want to bestow love upon another as well, be it a friend, parent, child, or romantic partner. In Merchants of Milan, all of those expressions of love are realized. 

One initial reader was skeptical, however, about how I would pull off a same-sex relationship in a historical setting. In this case, it was not as difficult as one may think. The Renaissance was first and foremost a “re-birth” of science and learning from the Classical Age. While the Roman Catholic Church still held much power and influence in the Italian city-states, by 1502 the philosophy of Humanism had burst into full bloom. Educated citizens (and Italy boasted more of those than the nations of northern Europe) looked to the ancient Greek and Roman civilizations for knowledge that had been lost during the Dark Ages.

It was noted that these societies placed little emphasis on who one chose to love and same-sex relationships were accepted for those who wished to pursue them. While the masses still engaged in the most fundamental activities of the Church – baptism, paying of tithes, weddings, and funerals – they no longer abided by every directive laid down by the clergy.

As Madelena stated, “The Church has no moral authority to speak to such matters, not while we have a Pope who openly keeps a mistress and has fathered children with her despite his supposed vows of celibacy. The Church can mind its own business and keep its hypocritical nose out of ours.”

Historians know that some Renaissance artists, members of various noble and royal families, and even clergymen were gay, but there was very little fuss made about it at the time. No one was arrested, beaten, or imprisoned for their sexual orientation, but that didn’t mean nonconformance went without a price. Gossip could ruin reputations, money could be lost if one’s business was boycotted, and if a man persisted in practicing no discretion, he could be excommunicated (which was a big deal). Therefore, Florentina and Madelena determine that it would be in everyone’s best interest to keep their liaison private.

Florentina has a lot of sneaking around to do. First, she can’t let anyone know she is the masked vigilante the whole city is talking about, and then she has to hide her relationship with Maddie from everybody in order to protect her family from any potential backlash. It’s a wonder she gets any sleep at all. But I remember college days when I was twenty; I managed on very little sleep, so I figure Florentina can do the same!

Three powerful merchants, two independent women in love, one masked vigilante.

Florentina, set on revenge for her father’s murder, creates an alter-ego known as the Night Flyer. Madelena, whose husband was also murdered, hires Florentina as a tutor for her children and love blossoms between them. However, Florentina’s vendetta is fraught with danger, and surprising developments threaten both women’s lives.

Merchants of Milan is the first book in Edale Lane’s Night Flyer Trilogy, a tale of power, passion, and payback in Renaissance Italy. If you like gadgets and gismos, rich historical background, three-dimensional characters, and fast-paced action with a slow-boil lesbian romance, then you are sure to love this series. Buy this one of a kind novel today and let the adventure begin!

Twitter:   @EdaleLane

Official Site:  https://pastandprologuepress.lpages.co/

The Best is Yet to Come from John F. Allen

John F. Allen is an American writer born in Indianapolis. He is a founding member of the Speculative Fiction Guild and a member of the Indiana Writers Center. He began writing stories as early as the second grade and has pursued various forms of writing throughout his career. John studied liberal arts at Indiana University – Purdue University Indianapolis with a focus in creative writing and literature, received an honorable discharge from the U.S. Air Force and is a current member of the American Legion. John’s debut novel The God Killers was published in 2013 by Seventh Star Press, and he has had several novellas, short stories and articles published since. He is also an avid reader, accomplished visual artist and jazz music aficionado.

I knew early on in my writing career that I wanted to explore stories written in a wide range of genres. This also reflects my diverse reading tastes. I didn’t want to be pigeonholed into writing the same type of stories, because my readers only expected them. I’ve seen other writers who are known for one particular genre for years, who later write in another and aren’t as well received, mostly because they aren’t known for those genres. I’m not saying that is the case for all authors who cross genres later in their careers, but it happens and when it does it’s very unfortunate.

It has been my philosophy that I’d write stories and novels in various genres from the beginning of my career and publish a short story collection which contained multi-genre stories, so that my readers can get a sampling of my versatility as a writer. This is why my first short story collection, The Best is Yet to Come, contains ten multi-genre stories which range from literary fiction, science fiction, fantasy, horror and beyond. 

During my time as a writing student, my assignments were largely literary fiction stories and the mechanics of story-writing in general. This was actually of significant importance to my genre fiction writing, as it helped me to ground my writing in the commonality of the human condition, which is the most important through line for all fiction writing, in my opinion.

However, there are many specific and unique elements which each individual genre offers for both the reader and the storyteller.

For example, science fiction offers the writer and their readers to explore the scientific and technological marvels of our world, as well as those expanded possibilities from the storyteller’s imagination. As a writer, I personally find science and technology to be fascinating subjects and often read news articles, magazines and academic journals for my own interest.

So when an idea for a science fiction story presents itself, I’m able to utilize the knowledge from my reading to add validity to the fiction and ground it in our reality. This accomplishes two things. Firstly, it acknowledges the scientific and technological progress mankind has made and is continuing to make. Secondly, it offers hope that the progress made will create a brighter future for generations to come or serves as a warning for the consequences of misusing that progress and potentially darker times ahead.

Another example is the fantasy genre. This particular genre allows the reader to experience things from the perspective of a foreign world, usually steeped in magic and mysticism, with an ancient-like setting that is devoid of scientific and technological progress. This genre challenges the storyteller to utilize human history and folklore as elements in their tales, while maintaining the human condition through line. As an armchair historian, this fascinates me in that it allows me to reach into the rich tapestry of human history and pull from the real-life stories, people and settings to create.

When the idea for a fantasy story begins to percolate in my mind, I draw upon ancient histories, people and their cultures as the base for my world building. This serves as the bridge and connective tissue with which the reader can relate and accomplishes similar objectives to science fiction. Firstly, it acknowledges the historical and cultural progress mankind has made and is continuing to make. Secondly, it offers hope that the progress made will continue to move forward in positive and progressive ways, while we learn from the mistakes of the past and avoid repeating them.

Genre writing also gives the storyteller and the reader, the opportunity to explore cultural and racial diversity from the human vantage point. This is particularly important in opening new and exciting settings to the reader, as most genre fiction is it often told from a Eurocentric perspective lens.

Human diversity in genre fiction opens up new settings and points of view to the reader and allows the storyteller to express themselves in a much more personal and passionate manner. With any luck, this very same passion from the writer is translated in their work, the benefit of the reader, which affords them a new and exciting experience.

Featuring ten stories collected for the first time, The Best Is Yet to Come presents nine years of creativity spun from the mind of John F. Allen. Action and adventure are ever-present in these stories, but be prepared for some drama, horror, fantasy and science fiction as well.

This volume includes a holiday story, “An Ivory Christmas,” featuring Ivory Blaque, Allen’s bold heroine from his acclaimed urban fantasy series The God Killers.

Also included are:

“Forest of Shadows” is the debut of a fabled, ancient warrior named, Jaziri, Prince of Kimbogo Province.

You may want to think twice before venturing out into the dark woods of rural Indiana in “The Legend of Matchemonedo.”

A young set assistant of a 1950s science fiction serial gets to embark on the journey of a lifetime in “The Adventures of Star Blazer.”

A young woman in late 1970s Indianapolis learns to be careful what you wish for in “HoodRatz.”

When a woman struggles to care for her ailing father, she discovers the truth behind her troubled past in “The Sweetest Autumn.”

Long ago, a noble samurai finds forbidden love with a beautiful, ebony-skinned princess in “The African Princess.”

A mysterious, military operative is sent on a covert mission in Egypt, when he encounters an alien monster bent on revenge in “Lazarus.”

Forty years ago, a young boy discovers that family means everything in “The Chocolate Malt.”

The Best is Yet to Come also features the special bonus short story, “Witch Way is Up.”

Explore the words of John F. Allen today!

Anybody Want to Play War?

Tommy B. Smith is a writer of dark fiction, author of The Mourner’s Cradle, Poisonous, and the short story collection Pieces of Chaos, as well as works appearing in numerous magazines and anthologies throughout the years. His presence currently infests Fort Smith, Arkansas, where he resides with his wife and cats.

Did the experience of writing in a new genre help you grow as a writer and storyteller, and if so, in what way?

While my previous works have landed within the realms of horror and dark fiction, and even fantasy in the case of a few short stories, my newest novel is a coming of age story—or as I’ve also called it, a coming of rage tale, titled Anybody Want to Play WAR?  

It’s the story of Bryce Gallo, a teenage boy attacked by a dog, who suffers terrible injuries. He recovers in the hospital, but is left with a terrible scar, a stark reminder of his narrow escape, and here the story just begins. It’s the tale of an outsider, of family dysfunction and consequences, and Bryce’s struggle to adjust and ultimately face the world. 

While this one doesn’t fall into the horror genre, past readers will find whispers of the darkness they’ve come to recognize, and it’s my hope that newer readers should also find plenty to enjoy in this character-driven story. 

As an author, I appreciated the freedom afforded in writing this particular book. Remaining squeezed inside a box for too long can become uncomfortable. 

As with other occasions, once I found the proper “zone” for myself to begin this undertaking, I adapted my approach to suit the story and its direction. 

I recognize the value in reading outside one’s oft-chosen genre and exploring other creative arenas. These experiences offer fresh alternatives and learning opportunities. For the sake of growth and development as an author or otherwise, it’s useful to remain open to areas for potential development. 

This book allowed for me to exercise character development on a higher level, and also proved a deeper experience in world building. There are many layers to the setting of St. Charles, and that includes my release of 2018, The Mourner’s Cradle.  

If handled properly, character development and world building are valuable tools which enable a seamless spectrum of possibilities. These are tools which transcend genre, skills which may serve to enhance our storytelling arsenal. To commit my best, I owe it to my readers to keep a multitude of tools within reach. 

As well, I found a challenge in labeling a story which does not easily fit in the molds of standard genre fare, but authors have penned coming of age stories across many years, decades and even centuries. Why shouldn’t I establish my variation on the concept? 

In the end, I’ve carry forward with my motivations, and this time, it was Anybody Want to Play WAR? A liberating task, and at its best moments, a learning experience. Just as our stories are works in progress until the final edit’s completion, as purveyors of words and worlds, so are we, as long as we are willing and determined to make it so. 

— Tommy B. Smith

Follow the rest of Tommy B. Smith’s blog tour at Tomorrow Comes Media!

Brutal injuries can leave scars. As the teenaged survivor of a savage dog’s rampage, it’s a lesson Bryce Gallo will never forget.

Struggling to cope with his damaged appearance, along with a newfound fear of dogs and mounting anxieties at home and school, he flees his suburban home into the moonlit streets of St. Charles.

Along the roads of suburbia and through the shadowed heart of the city, he encounters Wheels, a maintenance worker for a series of apartment buildings; Paloma, known to some by the moniker of Lady Luck; and a woman in a dark house who is, as far as Bryce can fathom, like no one else he has met before.

His new life is not without obstacles or enemies, he learns. The future is a battlefield. Fire and smoke loom on the horizon, and his dangerous course may see the lives of his family and friends forever changed.

Kindle Version:  https://www.amazon.com/Anybody-Want-Play-Tommy-Smith-ebook/dp/B07Y45ZYG2/

Amazon Print Version:  https://www.amazon.com/Anybody-Want-Play-Tommy-Smith/dp/1948042843/

Barnes and Noble Link:  https://www.barnesandnoble.com/w/anybody-want-to-play-war-tommy-b-smith/1133901518?ean=9781948042840

Guest post: Elements of a compelling thriller

Today’s guest author is Michael Houtchen, whose debut novel Tybee Island H-Bomb premieres this week from our friends at Seventh Star Press. Here’s Michael’s story in his own words:

Kentucky has always been my home. I was born in Owensboro and raised in Daviess County. Life was simple back then. I grew up with outhouses, hand-pumps, and coal stoves. If you wanted hot water, you heated it on the stove.

Michael Houtchen

Both of my parents have passed on. I have a half-brother, Danny, but most of our younger lives he lived with his father, so we didn’t get to see each other often. Looking back, sadly, it was like being an only child. My closest friends were the cows, chickens, pigs, goats, sheep, turkeys, geese, ducks, and horses my dad kept on our small farm. I hope I didn’t leave anyone out. Farm animals can be so jealous. Our grocery store – mason jars of mom’s canned vegetables and the occasional trip into town to the IGA.

My dad was a woodsman. You could give him a shotgun, a box of shells and a book of matches, and he could disappear into the forest for weeks. I used to hunt with him, but I was never the woodsman. I can’t tell you how many deer, squirrels, rabbits, raccoons and ground hogs I’ve eaten.

My wife, Stephanie, and I have five kids (three boys and two girls) and eight grandchildren (five boys and three girls). All but one son live here in town. You should see Christmas day at our house.

I’ve had several jobs during my lifetime. When I was thirteen, I had a summer job. I was a soda-jerk at the Utica Junior High School playground. The school is now defunct. It is not my fault the school went defunct.

As an adult, I started out as a janitor. Loved the work, but not the pay. Mapping came next. In other words, I was a draftsman who created maps from surveys. I did that for over twenty years. Mapping full time and going to Brescia College (it’s now a university) at night, I got a bachelor’s degree in computer science. Career change: I was a computer analyst for over twenty years.

There came a day when I realized I was the dinosaur of computer science. Technology had passed me by. So I up and retired. That was in 2014, and I haven’t missed working a day. Truth be known, I do miss the people I worked with.

Notice: I’ve said nothing about writing. I could tell you a pretty good story, but putting it on paper was another thing. Stephanie, my wife, asked, “And why not?” I had no answer.

I should keep this short, so, I will tease you with two important events that happened in my life; two events that I haven’t already discussed. When we meet each other, don’t hesitate to ask me about them.

Monday, September 6, 1965, was a Labor Day, and I was out of school. On that day, I came in contact with a high voltage powerline. Seven thousand two hundred volts entered my hand and exited my head and my feet.

That’s not a typo. It was 7200 volts. I was given up for dead for three days. There is a “rest of the story” as Paul Harvey used to say. Ask me about it when we meet.

The second event: September 17, 2017, I was ordained a permanent deacon in the Catholic Church. It keeps me busy these days. If you’re not sure what a permanent deacon does, Google it.

There you have it: My life story summed up in 1,000 words or less. It sounds like a writing contest, doesn’t it? There’s so much I left out. I could tell you about riding the rails, or the time I hung myself. But those will have to wait until we meet.

Michael on the elements of a good thriller:

A solid series plot.

I like for each book in a series to be standalone, but the overall series could have a well thought out plot, a “traveling” storyline, if you will, traveling from book to book.  I wrote a four book series, and I knew were each book was going and how each book tied together.

Interesting characters.

Without interesting characters, the series could/would get boring or grow stale.  Adding/removing characters helps keep the storyline fresh.  Yes, after a while, there’s nothing wrong with killing off main characters or having them move away.  People will hate you, but that’s real life.  Never, never kill a pet!  Just look at John Wicks.

Realistic situations.

A thriller takes place in the world with real world situations — no hocus pocus.  Even if the series takes place on, say, one of Saturn’s moons, it should still have real world situations, like the 1981 movie Outland staring Sean Connery.

Plot twists.

A good series will take you down an expected path, just to come to a dead end.  But don’t drop the solution in the last chapter, or by the introduction of a new character with the solution near the end of the story.  Work your way, chapter by chapter, to the solution.  Keep the reader, guessing.  I love hearing people say   ̶   I thought it was this person until you killed him.

Research.

Take the time to do the research.  I once had a “scene” where a person was starting a helicopter.  I went through all the buttons and gauges just fine, only to find out, I had the pilot in the wrong seat.  The helicopter inventor was left-handed, so pilots sit in the right seat.  A pilot friend, who flew helicopters in Vietnam, pointed out my error.

Tybee Island H-Bomb

The government lost a hydrogen bomb around Tybee Island, Georgia, in 1958, or is that an old wives’ tale?

If it is only a tale, then why are three young men trying to find it, in hopes of selling it to make a dirty bomb?

Before the week is out, six friends from Kentucky will get caught up in kidnapping, murder, and treason, while trying to save one of their own and perhaps the citizens of Tybee Island and Savannah, Georgia.

Kindle Version:  https://www.amazon.com/Tybee-Island-H-Bomb-Michael-Houtchen-ebook/dp/B07V6T7BWC/

Amazon Print Version:  https://www.amazon.com/Tybee-Island-H-Bomb-Michael-Houtchen/dp/1948042789/

Barnes and Noble Link:  https://www.barnesandnoble.com/w/tybee-island-h-bomb-michael-houtchen/1132868604?ean=9781948042789