A fungus amongus

By Rachel Brune

Crone Girls Press has published horror for five years and counting at this point, but it was only until a year or so ago that I realized we were an independent press whose books were not available through most independent bookstores. And so, with our latest release, Dark Spores: Stories We Tell After Midnight Volume 4, we’re focusing on giving our readers options.

An Inherent Contradiction

When I started Crone Girls Press, I knew a good deal about what makes a good story, how to cajole my connections to provide me with a good story, and how to work with an author to make a good story even better. From the time we published the first volume of Stories We Tell After Midnight, I have learned a lot about how to be a better editor, coach, mentor, friend, and anthologist.

The thing I wished I knew, back in 2019, was limiting it could be to publish exclusively on the Big River Site. I listened to podcasts and followed author groups that recommended rapid release and Kindle Unlimited exclusivity and various other Amazon-focused profitable techniques that made a lot of sense for publishing speculative fiction but, as I learned, had limited application to other genres and forms.

But still, publishing KDP was a place to start, and that’s where we began.

Genre Horror and a Punk Attitude

I’ve always pursued creative ventures. I had a band in college (shout out to Pop’s Basement), I enjoyed blogging and publishing interviews, and I have been writing songs, poems, and fiction for years. Through those years, I’ve seen various platforms that claim to support independent creatives come and go, from Lulu to CreateSpace to CDBaby to Bandcamp to Spotify for Podcasters and many more. The one element they all had in common was relying on creatives’ work to drive aggregate traffic to their platforms where they would parcel out pennies to the creator and bank the rest.

For book publishing, it seemed the same. Sure, we could strike up partnerships with collectives like The Literary Underworld (shoutout to The Underlords!) Or, we could consign books with certain bookstores, especially local indie shops. But for the most part, it seemed like the Big River Site was the only, or at least the best, way to go.

But was it?

Corporate monopolies aren’t very punk rock, and it seemed like an indie press like ours could put in the time and leg work to start growing an organic presence and giving readers an alternative to purchasing our works that weren’t (only) through their ’Zon accounts.

First Step—The Underworld

Elizabeth Donald was one of the first people I thought of when it came to horror. And shortly after we started publishing, she invited me to become part of the Literary Underworld. And in fact, this partnership contributed to the motivation to dig into how and where and why we were selling our work, and to do the leg work to understand more of how we could get away from sole reliance on Amazon.

Take a look over at the Underworld catalogue. You’ve got all genres from horror to sci-fi to urban fantasy to romance. You can find some of my personal titles there (Cold Run and Side Roads), as well as a number of Crone Girls Press titles, a few of which contain familiar Underlords in the tables of contents (Coppice & Brake, Tangle & Fen.) And, one sale of a title through the Underworld returns about three times the amount of an Amazon sale. (Punk rock might not be about profits, but book sales help keep the lights on.)

Next Step—The world! Muahahaha!

Dark Spores: Stories We Tell After Midnight Volume 4 is our first anthology in the series to follow a theme. We fell in love with the idea of mushrooms and fungus and mold and mildew creeping along in the dark underground, building and multiplying, until they extrude through the soil or the skin. The theme resonated with our authors who sent in tales of loneliness, isolation, and fear, as well as forced assimilation, willing submission to the darkness, and other fearsome fates.

As with our other projects, we looked for the widest and deepest variety of voices and perspectives that we could invite, seeking unique ways of looking at life—or death, as the case may be.

And, with this volume, we are doing our best to offer different ways of inviting the spores into your library. (We realize that’s possibly not the best way of putting it…)

First, you will be able to order the anthology through The Literary Underworld.

Or, and this is our second-favorite way, you can head to your local bookseller, especially if you have a local bookstore you enjoy frequenting, and order it through them.

Finally, you could order it through a link on the book page on our website.

Feeling a little short on funds? Aren’t we all… Not to worry! My local library has a link where we can request a book, whether through Interlibrary Loan, or for the library to purchase the book. If yours has a similar link, fill it out and let’s spread our spores through the public library system!

Many thanks to Elizabeth Donald and The Literary Underworld, who have been gracious supporters and partners to me and Crone Girls Press from the beginning. Thanks to everyone who has purchased one of our volumes through the Underworld, and especially, who has gone to their review site of choice and left some kind words for us. Here is to a future with more great books and wonderful partners—and lots of independent options for our readers.

The Big Cinch!

I’m Kathy L. Brown and delighted to join The Literary Underworld team! I write speculative fiction with a historical twist. My hometown— St. Louis, Missouri —and its history inspire my fiction.

A Sherlock Holmes story collection captivated me as a ten-year-old. If every tale must have a maker, I resolved to be a maker, too. I immediately wrote a knock-off Sherlockian story, which was greeted with wide critical acclaim (by my teacher). I was hooked, really. Sir Arthur Conan Doyle had ruined me for honest work.

However, I came of age in a tumultuous time. Despite the nascent women’s liberation movement’s encouragement, I convinced myself I had nothing to say to a world in upheaval. Thus, as a new college graduate, I landed a job as a book editor, an ideal pairing of my desire to read all day and a personality that picks at small details. Those skills served me well in a subsequent (and better paying) medical research career.

However, the need to make stories never truly left me. The haunted 1920s world of my book series, The Sean Joye Investigations, was conceived in a beginners’ creative writing workshop.

My supernatural noir stories’ gestation and birth took years. Meanwhile, I earned a creative writing certificate and wrote various fantasy stories for magazines and anthologies. Under my own imprint, I published two short Sean Joye adventures while working on a novel, The Big Cinch. Montag Press Collective published The Big Cinch in December 2021, and it is now available through The Literary Underworld website.

Currently, I’m polishing the next Sean Joye novel, The Talking Cure. We live in an exciting time for stories, and I want to be part of it all. My goals include produce stories in more formats, such as serials, audiobooks, and games. Check out the Sean Joye short stories and novellas at my website, kathylbrown.com.


The Big Cinch

The Big Cinch embeds readers in a magic-laced St. Louis, once known as Mound City, home of the indigenous Americans’ Mississippian ancestors. Little evidence of their civilization survives in 1924, apart from the popular Piasa monster image, invoked to sell plows as well as ornament civic pageants.

Sean Joye, a recent Irish immigrant, tried to avoid fae attention and ignore his magical abilities since childhood. A young veteran of 1922’s Irish Civil War, he aims to atone for his assassin past and make a clean life in America.  Sean helps a wealthy, powerful, magic-dabbling family—founders of the most exclusive club in town, the Piasa Lodge—with a discreet inquiry or two. Sexually involved with a secretive, high-society flapper, he falls hard for her fiancé, a Great War flying ace with a few secrets of his own.

But Sean asks the wrong questions about a kidnapped toddler and missing Native American artifacts and becomes a suspect in his lover’s bludgeoning and a tycoon’s murder. Can he master the paranormal abilities he’s rejected for so long in time to protect the innocent and save his own skin?

The Big Cinch will appeal to a wide range of readers:

  • Fans of a wise-cracking mage, such as in Ben Aaronovitch’sThe Hanging Tree, Steven Blackmoore’s Dead Things, and Jim Butcher’s Skin Games
  • Lovers of secret societies who worship mysterious, supernatural forces, such as in Matt Ruff’sLovecraft Country, Victor LaValle’s Ballad of Black Tom, Cherie Priest’s Chapelwood, and China Mieville’s The Last Days of Paris
  • Supporters of fiction that reflects cultural and sexual diversity, such as in Anne Bishop’sLake Silence: The World of the Others and V.E. Schwab’s Shades of Light

Kathy L. Brown lives and writes in St. Louis, Missouri, USA. Her hometown and its history inspire her fiction. When she’s not thinking about how haunted everything is, she enjoys writing elaborate notes about her tabletop roleplaying games. Her supernatural noir novel, The Big Cinch novel won the 2022 Imadjinn award for best urban fantasy novel. Other stories in the Sean Joye Investigations world include The Resurrectionist and Water of Life. Kathy’s blog lives kathylbrown.com.

 

 

 

 

 

 

 

 

 

 

 

 

Happy shopping-in-your-pajamas weekend!

happy holidays!

If you’re like us here at LitUnd Towers, you really prefer doing Black Friday and your subsequent shopping from your couch, watching silly movies and drinking cocoa. Fortunately, we are all set up to help you get your shopping done without leaving that wonderful couch!

We have a few suggestions for your list, as you might imagine. Can’t make up your mind? We now offer GIFT CARDS! Click here to pick up a gift card that lets your loved ones pick out some really awesome reading AND help support small presses and their authors.

Remember that when you buy from The Literary Underworld, you are buying from the authors and small presses directly, so they will get to keep much more of the sale price. Every little bit helps your favorite author keep creating those fascinating new worlds.

Happy holidays from all of us here at Literary Underworld!

All shipping is $8 flat rate OR free with $49 purchase!

 

Newer releases from the Underlords!

Dreadmire by Elizabeth Donald. Tam is a Moor Knight whose dearest love, the half-elf Wynter, has vanished into the haunted Dreadmire on a quest to destroy the evil at the center of the swamp and set free the people terrorized by its half-dead creatures. But it has been a long time since anyone heard from Wynter. Tam and his best friend, Kancethedrus, enlist the help of guide Alesia and seer Angiss to help them find Wynter – and perhaps complete her mission to destroy the evil Somesuch that has controlled the life, death and unlife of the swamp for so many years. But the way through Dreadmire is not easy, and that’s not just because of monstrous mosquitoes, sentient weregators and cannibalistic undead elves living among the predatory flora and fauna of this twisted bayou. What’s more dangerous than a demonic tree that can eat you alive? The perils of the human heart… and what a man will risk for the woman he loves.

13 Octobers by Alexander Brown. In this mixed bag of treats … and tricks, readers will return toI/ older times. Back when oral tradition warned of grisly things that lurked about on autumn nights. A bygone era when people heeded superstitions and lore, and few dared to brave the forbidden. Readers will encounter thirteen chilling stories presented in four decades of vintage life. These horrors include: ghosts, unlucky animals, murderers, creatures, and the devil himself.

Lost Colony: Alliances is the first science fiction adventure from new Underlord Diana Morgan. Tristan Travs never wanted to be an Admiral. He wanted to serve his time as a top-notch pilot and retire early in comfort on his rich family’s dime. But all that changed five years ago when the Aveeys—humanity’s greatest advancement in AI technology— rebelled and destroyed the planet. He’s now left as the highest-ranking officer of Terran Colony, the only survivors. They move from planet to planet, trying to find a new home, on the run from Aveeys, and pirates—those who live on the fringes of civilized society.

Livia Icini never wanted to be a pirate. She wanted a normal life before the Aveeys destroyed everything. Now, she’s finally found a way to get that again, by seeking asylum in Terran Colony. Life is far from normal, and Livia has secrets beyond her pirate past. She may be seeking asylum, but she may also be the key to the Colony’s survival. If she can get the Admiral to trust her without killing him first. Pirates and killer robots aren’t the only thing out to destroy the last of humanity. There are other things among the stars.

Tangle and Fen from Crone Girls Press. On the European front, there are worse things stalking the battlefield than enemy soldiers. A laid-off ad exec’s second career takes a turn for the bloody. The halls of Shy Rock High welcome the Class of 2005—but why so few attendees to this shadowy gala? The stories in this anthology are the glimpses of the dark places between the forest and a dream. Tangle & Fen is an anthology of dark fiction, featuring tales from the borderlands of horror, speculative fiction, and the nightmare fears that linger even after you turn on the lights.

Baby Monster by John McFarland. Return with us to Ste. Odile, a cursed town indeed. We will also be lured to other areas of the world during periods of history that were dark, foreboding, and unsympathetic to humankind in general. You will find recognizable characters within these pages when we revisit their unfortunate situations. You will also be introduced to some new ones who are unique enigmas on their own. A familiar scientist is conducting a study on teeth, using participants from the women’s wing of St. Mathurin’s Home for the Insane. A resolute woman must perform an unspeakable act to save herself from a life-ending condition. An abandoned and crumbling orphanage hiding a horrific secret, a woman’s obsession with speaking to the dead, and her husband trying to save their son from potential murder come together in a thunderous storm of shock and terror.

Step into the end of intimate acquaintances and the beginning of tenuous relationships. Mysterious men, undaunted women, warped creatures, maddened minds, human atrocities… all await you in McFarland’s second volume of harrowing short stories, including two novelettes, published here for the first time. Then consider picking up the previous Ste. Odile books, The Black Garden and Mother of Centuries.

Bladespell by Steven Shrewsbury. On the east coast of antediluvian Africa, the warrior Rogan escapes the gallows via the magicks of a wizard. She professes to be the spirit of Jezebel Lilith, a mage that has traveled back in time to learn the location of an enchanted sword. Thinking her mad, Rogan tries to find his partner on his journey, the spearman Thyssen. Learning Thyssen has been sold up the river to be part of a sacrifice at the temple of Dagon, Rogan vows to free him. Rogan is accompanied by Lilith and her group of warriors, along with a shaman from the gallows, Oliver Haddo, who also claims to be from the future.

Upriver at the temple of Dagon, as a volcano rumbles, Rogan encounters wizards and others seeking to trigger a terror that will create children to guard the sleeping place afar off at R’lyeh for their god, Cthulhu. A tale of action, twisted wizards, and Lovecraft mythos, Bladespell shows that sometimes those that manipulate others often get more than they bargained for.

A new edition of A Night at Death’s Door by Jim D. Gillentine. Horror-comedy with a touch of romance at Death’s Door, a mysterious and trendy nightclub that actually cloaks the hidden domain of a vampire planning the Rising… only $8!

For the fantasy fan…

Music City by Sara M. Harvey 

Banished from Ireland in the wake of an accident that snatched away both her mortal lover and her banshee voice’s power to sing souls to the beyond, Keela O’Reardon sets out to find the Oran na Céle, the original banshee song, whose power birthed the banshees themselves. The urge to sing is the very core of a banshee, and in Nashville, Keela does the one thing even more forbidden than dalliances with a mortal: she performs. In the spotlight, she discovers a new power to her voice. A power to entrance an audience. A power that others want. The strange Irish girl with the otherworldly voice is the talk of Nashville, but she’s not there to be a star, no matter how much a record producer wants to make her one. She wants to find the banshee song buried in a city without banshees. She’s not the only one.

Reckoning Day by Steven Shrewsbury

A tale of action, adventure, love, sacrifice, and war, Gorias staggers through a bloody trail that will tear his heart loose. Can Gorias combat these deadly forces and stand tall against an arch-demon on what will truly be his RECKONING DAY?

For the romance fan…

The Brothers in Arms series by Silke Campion. Get all eight titles in this hot, flirty, sweet and dirty Brothers in Arms series for only $35! No slow-burning angst here; just a steamy, quickly flourishing devoted love that gets right to the heat. Each title can also be purchased separately for $5!

Beloved Forever by Kit Tunstall is a classic tale of a newly-made vampire whose master believes she is the reincarnation of his first love, found and lost over and over for the last 800 years. Yours for only $5!

 

For the weird Western fan…

Mojo Hand by Steven L. Shrewsbury ($15) After a gun battle in an 1884 Peoria cathouse, one-armed ex-Confederate guerrilla Joel Stuart finds himself at odds with dire magical forces. He runs headfirst into an army of the undead, a demon guard, the persona of African god Damballah, and even finds himself beneath the lid of a coffin.

The Alamo and Zombies by Jean A. Stuntz ($5) is exactly what it says! Zombies at the Alamo, what else could you want?

For the horror fan…

Nocturne Infernum by Elizabeth Donald ($20) compiles the three books of the Nocturnal Urges series into one volume filled with heat, horror and intrigue. In this alternate Memphis, vampires are a dark underclass whose bite offers pleasure and pain in one sweet kiss. Humans take advantage of the pleasures vampires can provide, but call them friends? Lovers? The strain between human and vampire grows as death rises in the streets…

Paradise Earth by Anthony Mathenia ($12) is a deconstruction of faith at the end of the world and beyond. When blazing balls of fire fall from the sky, a religious sect interprets it as the fulfillment of long-held prophecies foretelling the end of the world. The members flee to their religious sanctuary, believing that this global cataclysm is the portent of a new paradise of eternal happiness. Inside, one cold and starving man struggles to hold onto his hope for the future as the torturous night drags on and he struggles to hold onto his hope for the future. Limited quantities available.

A Woman Unbecoming. Crone Girls Press presents a charity anthology of horror and dark tales to benefit reproductive healthcare rights. Award-winning and up-and-coming authors share over two dozen stories and poems.

A thwarted female defense attorney releases the baying of the hounds under a full moon, signaling the death of an era—and the birth of a new one under the Old Gods. Most funerals are celebrations for the living—unless the guests decide to tempt fate and the guest of honor. A bicycle ride becomes a contest of egos, but the male pursuers aren’t the only ones hungry for the race to end. These women are going to cut the world and let it bleed.

If you like intense characters, powerful women, and twists you won’t see coming, then you’ll love this fierce anthology co-edited by Rachel A. Brune and Carol Gyzander.

For the sci-fi fan…

Dream of the Navigator by Stephen Zimmer. For most, virtual realms, substances, and entertainment provide escapes, but for Haven, Cayden, Jaelynn, and Salvador, growing up in Technate 6 is a restless existence. A hunger for something more gnaws inside each of them. Discoveries await that open the gates to transcend time and space, and even new planes of existence. Nothing in their universe, or others, is impossible to explore.

Ace’s Odds by Sela Carsen ($10). Mkhai is a former soldier in debt to the mob boss who runs a glitzy, glamorous space station casino hiding a dark underworld. The only hand he’s got left to play is getting the mob boss’s daughter off the station… but Silbe is no pampered princess, even if her father is one of the most feared men in the galaxy. Embroiled in a desperate scheme to keep her family safe, Silbe must team up with a roguish smuggler who makes her want to bet on him with everything she’s got.

 

For the YA reader…

Moonblood by T.W. Fendley. ($12) Who wants to live a century before seeing the outside world? Not Ariadne. Restless and idealistic, the young immortal sneaks out of the Eves’ secret compound and finds the outside world more dangerous than she could have imagined. Cut off from her own kind and hunted by mortals, she is forced to hide among the Adams, the immortal sons born of her sisters. But the Adams have sinister plans of their own. Ariadne must find a way to stop them, even if it means sacrificing her immortal life.

For something shorter….

Setting Suns: Anniversary Edition by Elizabeth Donald brings a new look to her first collection, including a new story, new afterward and more.

A nightmarish fun house turned deadly.
A couple trapped in a futile journey through time.
A single baleful eye watching from the deep.
An assassin waiting in a snow-covered tree.
A toy that seems to have a life of its own.
A pair of soldiers trapped between death and something worse.
A tenebrous hand reaching out of the shadows.
These are the award-winning tales and terrors of Elizabeth Donald, writer of things that go chomp in the night. This new anniversary edition is being released 20 years after the first story was published, now including a bonus short story and the author’s reflections on twenty years of twilight tales.
In that space between evening and nightfall, between consciousness and sleep, the moment when the light fades and the shadows take over… These are the lands of the Setting Suns.

Side Roads by Rachel Brune is a Crone Girls Press title, and thus is 10 percent off this season. Clockwork fairies, arachnid mothers, the Carnival Ghost…
The stories gathered here take the reader on a winding trip down a darkened road as the battery in your phone slowly dies. The threads of this collection weave a tale of wrong turns in the early morning hours, of faded photographs that don’t quite fit one’s memory, of dying monarchs and has-been superheroes. In these pages, you will find the eerie, the grim, and the lost souls that wander the gloom. These stories were born of dark nights and cold drives and the certain knowledge that, as winter sets in and the nights grow longer, there’s more out there in the darkness than the shadows let on…

For the cosplayer….

A handmade leather mask is the perfect stocking stuffer for the cosplayer on your list! Branson’s General Store has a variety of colors in the simple $10 design, so be sure to indicate your preferred colors in your order!

 

STILL MULLING? THINK GIFT CARDS!

A Special Thank You

The authors and artists of the Literary Underworld are very grateful for your continued support. When you buy from us, you are buying directly from authors and small presses. As we celebrate this holiday season, we hope for a happy, safe and prosperous year for everyone.

You read all the way to the end!
Use the code HOLIDAZE24 to get a discount on your purchase!

13 Octobers returns to familiar spooky ground

By Alexander S. Brown

I would like to start this by giving thanks to the Literary Underworld for granting me the opportunity to elaborate on my collection, 13 Octobers. Since this will primarily focus on why I chose to release this collection as an author’s preferred edition, I will spare the reader of what inspired this work in the first place. If you’re interested in those details, just visit my YouTube page Bookworm of the Damned and watch my video entry titled “Great News.”

Originally 13 Octobers was released in 2016. Back then, it was called The Night the Jack-o’-Lantern Went Out. Which despite how cool of a title that was, I couldn’t take credit for its name, as that was suggested by my publisher. And for this reason, when I decided to make this collection available to the public once again, I changed the name simply because it felt right.

Primarily, there were quite a few reasons why I decided to pull my work and regain my rights.  But instead of listing everything that went wrong, or what I considered to be a red flag, I’ll stick to the main factors that played into 13 Octobers becoming my preferred edition over the original text.

The main problem I had with The Night the Jack-o’- Lantern Went Out was because it had been published with a plethora of errors. And when I brought this to the publisher’s attention, I was told it wasn’t a big deal. It may not have been a big deal to him, but it was to me. After I requested a revision multiple times, and nothing was done, I came to the realization that no changes would be made. Imagine the frustration there.

As other issues began to mount, the weekend that made me decide to yank all of my work took place at a horror convention where I had been invited as a guest. At this convention, my publisher and I sat on a panel together to speak about the horror fandom. Shortly after we introduced ourselves to the audience, he said, “Horror is a dead genre.” Then he proceeded to explain how horror doesn’t sell.

All I could do was sit there and think, well, you just shot yourself in the foot. Then I asked myself, if the genre is so dead, why are you representing me? Since I wasn’t in the mood to argue, I expressed how I saw the genre reinventing itself.  Once the weekend concluded, I mulled over a gameplan to regain my rights, which resulted in me sending an email that expressed it was time to part ways. Of course, I was met with resistance, but I eventually got what I wanted.

From there, my work went out of print, but I knew I needed a creative outlet.  For that reason, I began the YouTube channel Bookworm of the Damned. This came about mostly because I wanted to document what I read and connect with other readers. Since I had spent nearly the last decade doing conventions and speaking on panels, I had a good idea of how I wanted to present myself.

But while my main focus became directed at this channel, I couldn’t just throw away my books altogether.  Because of that, I decided I would to return to the author life when it was right for me. Nonetheless, I continued to write new stories, until I felt it was time to return my attention to my previous published works.

Among my out-of-print collections and novel that I had released over the years, I decided to tackle The Night the Jack-o’-Lantern Went Out first. In 13 Octobers, I give a deeper meaning why I chose this collection first. But for here, I will simply say the subject matter was symbolic and comforting, as many of its characters reminded me of my family.

When time would allow, I tried to eliminate plot holes, gain historic accuracy, and fix grammatical and spelling errors that had gone untouched with its first printing. Then I handed my book over to friends and family, who I trusted could give me constructive criticism, which they did. Over the better part of two years, we corresponded frequently about what needed to be revised, and had it not been for their help, I doubt I would be writing these words now. Also, since the original cover art for The Night the Jack-o’-Lantern Went Out was provided by the publisher, I knew I wanted a new cover. I reached out to local artist Chuck Jett to create the current image.

Being DIY with this book was a great learning experience, especially when it came down to formatting the ebook and paperback.  But to prevent future struggle, I made notes from beginning to end of the steps I took for 13 Octobers to exist. While going through all of these steps did prove to be a headache, the fact that I now have complete control over my work, and I can make changes whenever I like, I can sleep better at night.

Before I close out, I would like to advise that not all publishers are like the one I described. Please don’t think I’m bashing all publishers. Nonetheless, if you are interested in a publisher, no matter what size house they are, purchase a few of their books and read them. When finished, ask yourself if the book was good quality. Then go online and research the publisher. Not only will a quick search help you determine how established their house is, but it will also allow you to see if the publisher has been in hot water. Furthermore, if you’re able, reach out to authors of that house, inquire about their publishing experience, as well as how loyal that publisher has been with sharing royalty statements.


In this mixed bag of treats … and tricks, readers will return toI/ older times. Back when oral tradition warned of grisly things that lurked about on autumn nights. A bygone era when people heeded superstitions and lore, and few dared to brave the forbidden.

Readers will encounter thirteen chilling stories presented in four decades of vintage life. These horrors include: ghosts, unlucky animals, murderers, creatures, and the devil himself.

ALEXANDER S. BROWN is a Mississippi author whose first book, Traumatized, was published in 2008, later re-relased by Pro Se Publications. Brown is currently co-editors/coordinator with the Southern Haunts anthology series published by Seventh Star Press. His horror novel Syrenthia Falls was published by Dark Oak Press. His short story collection The Night the Jack O’ Lantern Went Out reached bestseller status in three literary categories on Amazon.com upon release.   Brown is the author of multiple young-adult steampunk stories found in the Dreams of Steam anthologies, Capes and Clockwork anthologies, and Clockwork Spells and Magical Bells. His more extreme works can be found in the anthology Luna’s Children published by Dark Oak Press, Reel Dark published by Seventh Star Press and State of Horror: Louisiana Vol. 1 published by Charon Coin Press. Brown is also an actor and producer in the short film The Acquired Taste inspired by a story in Traumatized and directed by Chuck Jett.

ADHD and writing

By Diana Morgan

October is ADHD awareness month and as a writer with ADHD, I’d love to help bring more awareness to how we portray ADHD and other neurodivergent conditions in writing and media.  If you’re plugged into any social media lately you’ve probably run into at least one creator whose content revolves around ADHD or autism. It’s a hot topic, thanks to new diagnostic standards and the special community that forms on social media platforms.

Neurodivergent identity has been stigmatized for a long time. Autism, ADHD, bipolar, and other brain differences were hidden or avoided, leaving people with shame and nowhere to look for representation.

But things have changed. From Sheldon Cooper in Big Bang Theory to Abed Nadir in Community, more and more characters are showing up and giving the neurodivergent community the representation it needs.

Authors like Helen Hoang and Talia Hibbert, who are both autistic, have started including autistic characters in their romance novels showing the complexities disability gives to a relationship. In sci-fi authors like Ada Hoffman and Corrine Duyvis are exploring how science and disability rights can affect the future in new ways.

In my Lost Colony series, I have two neurodivergent characters. Jacob Moorland has AudHD (ADHD and autism combined) and in the upcoming sequel, there will be a new character names Henry with autism.

It’s exciting new territory for those of us who grew up in a world where our conditions were often shamed. I was diagnosed as a child and grew up in the 90s when ADHD hadn’t been studied in girls. Growing up, I rarely saw characters with ADHD in the media and when I did, they were highly exaggerated or stereotypical. Boys who were “walking disasters,” running wild and being destructive; non-verbal girls who could only repeat songs they heard on the radio. It gave an inaccurate idea of what ADHD and autism can look like and further stigmatized our differences.

Like any good representation, progress is slow, and mistakes are made, but we must keep trying to improve. If you’re a writer who is interested in writing better, more realistic neurodivergent characters, here are a few tips to get you started.

This is also a good time to say that I am not a medical professional, I’m just a writer who’d lived their whole life with ADHD (diagnosed at 5 years old), raised an autistic ADHD child, and spent a lot of time with the neurodivergent community learning about being an advocate. I’m still learning, but one thing I do know about is writing, and I want to help other writers.

  • Neurodivergent is NOT just autism and ADHD. It’s also bipolar disorder, Tourette’s, Down’s Syndrome, dyslexia, dyscalculia, dysgraphia, borderline personality disorder, and a host of other brain differences.
  • Be mindful of what terms you use. A lot of things have changed about how autism and ADHD are diagnosed over the last few decades, as such so have the terms used to describe people with those diagnoses. Terms like ADD (Attention Deficit Disorder) and Asperger’s are outdated and in some ways offensive. Depending on your story’s setting and time period, you need to be mindful about what terms you use.
  • This also goes for slang. Like any community, a few slang terms have cropped up in recent years. Words like “neurospicy” and “the ‘tsim” have gotten popular, but people are divided on how they feel about them. Some people think neurospicy is fun and empowering. Others find it infantilizing and demeaning.
  • Autism/ADHD/disability is a superpower or they have a superpower that “cures” the disability. This is disrespectful at best and can be offensive if done badly. Disability doesn’t need a cure or magic powers, it needs acceptance.
  • Neurodivergent is not a monolith. Even people who have the same diagnosis will have vastly different presentations and symptoms. Many neurodivergent conditions are also co-morbid. ADHD and autism frequently appear together, they are also often accompanied by dyslexia, dyspraxia, anxiety, and depression.

Good representation takes time and a willingness to learn, but we can all do more to help neurodivergent representation improve. If you are interested in including more characters with autism, ADHD, or other disabilities, do your research, listen to advocates with those disabilities, and whenever possible hire a sensitivity reader.

If you’re interested in more ADHD content and resources, check out the resources page on my website dianamorganauthor.com, or find me on any of my socials @dianamorganauthor

Keep writing and I’ll see you among the stars.


DIANA MORGAN is a superhero by day, writer by night. Okay, not really, but when she’s not writing books, she’s a librarian at a local library, which is kind of a superhero. Her superpowers include always knowing what kids like to read, being able to read more than 10 books at one time, and the ability to eat more pizza than anyone.

Diana has always loved science fiction and fantasy.  She grew up watching Quantum Leap, Power Rangers and Star Wars. She can’t remember a time when she wasn’t making up stories.

She was a geek before being a geek was cool, and she loves hanging out with other geeks and sharing her love of all things space and magic and books.

Just a regular bloke

By John McFarland

It was to be the trip of a lifetime. One of those ‘bucket list’ deals that retirees dream of. My wife Cindy’s ex daughter-in-law, Michelle, had always stayed close to Cindy through the years. And after years of hard work, elevating herself to comfortable circumstances, Michelle invited us to join her family on a tour of the UK.

Although Michelle’s family trip was only to encompass the UK, Cindy, always looking at the big picture, saw a larger opportunity. Having two publishers in Germany, Wandler-Verlag and Zagava, and an illustrator in Seville, Spain, she planned that we could get a Europass and see the Continent by rail after our hosts went home. These were exciting prospects, and it occurred to me that there was yet another literature-related possibility open to us before we left England for the train tour.

I had become facebook friends with Ramsey Campbell perhaps three years before. He was always the first person to wish me happy birthday every year, and I enjoyed reading his regular-bloke posts about partying with his friends, cinema, horror, and The Three Stooges. He was and is an avid assembler of 1000 piece picture puzzles and loves a good glass of cheer. We had a sort of connection through the person of the iconic T.E.D. Klein.

The very first fiction I ever wrote was a tale called One Happy Family. Ted was the wunderkind editor of The Twilight Zone Magazine in those days and he accepted that story and published it in October 1983 issue. Subsequent stories I submitted to him didn’t fare so well, but Ted always explain in detail and with much kindness, what he felt was lacking in them. I reconnected with Ted when my first story collection appeared in 2020 and he was graciously supportive and gave me very positive blurbs. He even sent a collection of essays he had recently published, as a gift.

As it turns out, Ted was equally encouraging to Ramsey when he first came on the scene with his novel The Doll Who Ate His Mother, also in the early ‘80’s. They have been friends ever since. Ramsey was impressed when I was honored to be included in a two author chapbook with Ted issued by Wandler-Verlag.

I messaged Ramsey through Facebook that we were going to be in the UK in late August. I asked if he were going to be available then and if we could meet. His response was ‘Let’s have dinner.’ We selected a Turkish restaurant Ramsey and his wife Jenny had wanted to try in Wallasey Village, across the Mersey River from Liverpool. The restaurant was just a few blocks from their home. Ramsey made reservations for four for the evening of August 25.

Cindy has never been a fan of horror. She felt ill-equipped to meet an author whom I had told her was a celebrity. “How famous is he?” she asked me.

“Maybe not quite as well-known as Stephen King, but close to that.”

I told her I was a little apprehensive too. I had never met, face-to-face, a writer in that hierarchy and though I had read three of Ramsey’s novels and many of his short stories, I didn’t consider myself qualified to speak authoritatively about his work.

Cindy and I got to the restaurant first. It was a nice neighborhood place, but completely empty, but for us. We were seated in a booth in the front window. Remembering Ramsey’s love of jigsaw puzzles, I had bought him a gift of a thousand-piece puzzle of horror movie posters over the years. For good measure, I threw in copies of my two story collections.

After about a ten minute wait, an Uber pulled up outside and Ramsey and Jenny made their way out of it. “Here they are,” I told Cindy. I stood to greet them, hoping the coming conversation would not lag and would take on a life of its own.

It took about three seconds to see that Ramsey was the same fellow in person as he is online. His left arm was in a sling. He said he had taken a fall a few weeks before and broken it. “Lucky it wasn’t my writing arm,” he said, as he had just started another new novel. Jenny apologized for looking tired but said she was just preparing for a weekend babysitting her rambunctious grandsons. “But first things first,” Ramsey said. “What are we drinking?”

The first of several bottles of Pinot Grigio was brought to the table and we made short work of it. Cindy need not have been concerned about her conversational skills as we spoke of non-horror books, wines, grandkids, travel, sightseeing (Ramsey and Jenny had just returned from visiting a son in Singapore) and pets. We ordered our food and everyone shared whatever was on their plates. More wine came and Ramsey entertained us with magic tricks and tales of such notables as Robert Aickman and Ted Klein. And always an occasional Three Stooges reference.

I gave Ramsey his gift bag. He was delighted with the puzzle and seemed genuinely grateful for my books. “Did you sign them?” he asked. I had thought he might resent the presumption. But, not at all.

For four hours we talked, ate and drank our wine. Jenny said more than once she was really enjoying herself and she hoped we would stay in touch. I called the waiter over and he took four photos of us together. We had the restaurant to ourselves the entire evening. At ten o’clock I paid the bill and offered to share an Uber with our guests.

I had to help Ramsey to his feet. I think his injury had taken something out of him. The four of us waited on a deserted street for our ride. When it came I helped Ramsey into the car and in five minutes we were at their home on a comfortable, ivy-draped residential street nearby.  Everyone hugged everyone and Jenny repeated she wanted to stay in touch. Ramsey seconded this and I could see they had really taken to Cindy. Me too, apparently.

I didn’t initiate this memorable evening with any plot or plan, but as it turns out, Ramsey really did read my books and loved them. He gave me several blurbs to use in the future. More than I ever expected. I just wanted the chance to meet him and talk writing. And, as it turns out, Wandler-Verlag will be publishing another chapbook next year, featuring Ramsey and myself.

I still hear from him regularly. And many of the messages, though not all, begin or end with some reference to The Three Stooges.

JOHN MCFARLAND’S first novel, The Black Garden, was published in 2010, and the story continues with the recent Mother of Centuries. His work has appeared in The Twilight Zone Magazine, Eldritch Tales, National Lampoon, River Styx, Tornado Alley and the anthology A Treasury of American Horror Stories, which also included stories by Stephen King, Richard Matheson and H.P. Lovecraft. He has written extensively on historical and arts-related subjects and has been a guest lecturer in fiction at Washington University in St. Louis. He is a lifelong Bigfoot enthusiast, and Annette: A Big Hairy Mom is his first novel for young readers.

 

 

Escape with Bladespell

By Steven L. Shrewsbury

Questions are posed to me often about what I write. I’m pretty approachable, oddly enough. Although many experienced writers have warned me to be a bit more exclusionary, I have a tough time not interacting with folks. Sometimes, that is different, but in this case, I’ll share.

Someone asked me, “Did you set your new novel, Bladespell, in Africa to be trendy?”

First, I doubt that sword & sorcery pre-flood tales set in Africa are a trend. Second, while I get the question, the book wasn’t set there as part of some agenda. “Africa was in the direction our main characters traveled in when they sailed off at the end of Killer of Giants.” S’true.

I do my best to make my novels, be they about Gorias La Gaul, Joel Stuart or in this case, Rogan the Kelt, as single, standalone tales. One can pick up any novel and enjoy it without getting the rest in a series or saga. Hopefully, the reader will want to seek out the others in time. In the past, I’ve been distressed to see a tome that looks very intriguing and then see it’s number 4 in a series. Ugh.

The yarn unfolds in primeval Africa not out of any desire for inclusiveness or whatever political agenda some might have. I told a story. I didn’t check boxes. That’s it. I’m a true believer that fiction should be escapism, a way to get away from the harangues of the media and the insanity of politics. Open the pages of a book and you escape from the drivel online or on the television.

The main character, Rogan, is a swaggering savage from thousands of miles away from where the book is set. How he survives in such a place, and against evil folks, cannibals, forces, demons and time traveling wizards, well, that’s the deal. Never once did I have the thought “THIS will piss folks off” or “Better include THIS class of people.” Just told the tale. If the story jerks a knot in someone’s undies, praise Jesus. Things happen.

Does that sound vanilla? It isn’t. The world, even back then, was made up of all sorts of interesting people, thoughts and stuff. These segue into a story, and I don’t need to consult a chart or give sacrifices to a political ideology to feel swell about myself. Am I dissing folks that do have such agendas? Naw. Do what makes ya feel good. Readers will judge whether to purse their lips, toss the book away, or read more.

Up against all that, Rogan encounters bad folks and good, but that’s life. I weave in some Lovecraftian horrors, the scope of which turns broad towards the end, and yeah, one of the time traveling wizards is Aleister Crowley in the form of shaman Oliver Haddo. What’s he up to in such ancient times? You’ll have to check it out and see.

That is if you want to escape this world of oppressive nonsense and dwell in a place of action, intrigue and wild times.

One can find Bladespell at the Literary Underworld or at Amazon.


STEVEN L. SHREWSBURY lives, works, and writes in rural Illinois. More than 360 of his short stories have appeared in print or electronic media, along with more than 100 poems. Nine of his novels have been released, with more on the way. His books run from sword & sorcery (OverkillThrallBedlam Unleashed) to historical fantasy (Godforsaken) extreme horror (HawgTormentorStronger Than Death) to horror-westerns (Hell BillyBad Magick, and the forthcoming Last Man Screaming). He loves books, British TV, guns, movies, politics, sports and hanging out with his sons. He’s frequently outdoors, looking for brightness wherever it may hide.

 

 

 

Imaginarium 2024

By Elizabeth Donald

The Imaginarium leaders say this year saw more works nominated for the awards than they have ever seen, and I was honored to be among them. My screenplay, “The Train,” was a finalist for the Imadjinn Awards in the category of unproduced screenplays, and Underlord Steven Shrewsbury was a finalist for Reckoning Day in the category of best fantasy novel. Neither of us won, but we had a good time nonetheless!

Imaginarium isn’t really a convention with a lot of cosplay, but we do get the occasional costumes, as seen above. Mostly it’s a writers workshop and film festival, with one of the most writing-intensive panel listings on the circuit.

The convention was a delightful and exhausting time, with good conversation and bad coffee throughout the weekend. I did three workshops and two panels, plus a last-minute reading on Sunday:

“The Art of Legal Prostitution: Selling your work at cons and book fairs.”

“Death, Taxes and Freelancing”

“Nevermore: Edgar Allan Poe and The Raven.”

That third was more of an academic lecture taking the MFA out for a spin, and I was surprised that the con picked it from my list of workshops to present. I was even more surprised when the small room was pretty much full, as a lecture in the life and work of a 19th century poet is not your standard con fare. But it was a lot of fun, and well-received, as were the two business workshops.

I was really dreading the panel on AI and ethics, assuming I would be surrounded by techies who think it’s the second coming, and speaking as a writer, an English professor and a journalist, I have seen little to recommend it. It turned out to be a really interesting discussion, respectful and thoughtful even among those who use AI. I presume I was on that panel because of my position on the Society of Professional Journalists ethics committee, which is funny considering that many members of the committee have a more flexible attitude toward AI than I do.

The other panel was on literary fiction, so once again I took out the MFA and my few literary credits. Any discussion of genre has to start from defining that genre, and that can be problematic because in essence you are defining what it is not, and how it differs from other genres. The official definition of literary fiction is that it focuses more on characterization, language, and subtext/meaning than entertainment. This is frequently interpreted as “literary means boring.“ But you have to start from somewhere, and my fellow panelists and I had some really interesting discussions. I think we could have easily nerded out for another hour or two if it hadn’t been Sunday afternoon.

As Underlord Jim Gillentine had forgotten to fill out his paperwork to be a guest author, he was booth babe all weekend. As you can see, he chose a subtle and dignified appearance to represent the Literary Underworld.

We ran the Traveling Bar both nights, and as usual made as much or more serving drinks and selling books in the room as we do in the dealer’s room. Conversation was pleasant and the vibe was chill, as it often is at Imaginarium.

We debuted our line of merchandise on the table, which did require giving up a little real estate from the books, but was a big hit. We started selling stickers before the dealers room even opened. Once upon a time, we could cover our cost for the booth just by selling Pocky. This got problematic when the hotels said we couldn’t sell food. But if the stickers can cover some expenses, that’s more profit for the authors.

In all, Louisville was a delight and I wholeheartedly recommend the Troll Pub downtown for the post-con dinner. It’s quite nifty.

Now we are back home, the email inbox is staggering and I have about sixty tasks to catch up on all week. I hope you all had a great weekend, and I’ll see you on the circuit next time!

 

5 Unique Ways to Show Your Favorite Authors Some Love

By Rachel A. Brune

As the summer grinds on, I’m hard at work on the third volume in the Rick Keller series—available from the Literary Underworld! My secret agent werewolf and his partners are back on another mission, and I’ve been burning through my stash of index cards trying to figure out the twists and turns of middle section of the book.

And so, because I’m supposed to be writing, I’m instead surfing my reviews on Goodreads and Amazon, refreshing my author page, and generally doing lots of things other than writing, including reading a rotating selection of books from the local library.

I picked up my phone to mark my latest book as “read” on Goodreads (gotta make that annual Goodreads challenge!) and dashed off a quick review. And it made me think—will this writer see this review? If I really like the book, should I post something on social media? Should I recommend that book? How can I let people know I really liked it?

After thinking about it—and yes, procrastinating a little more from Rick and friends, I have come up with this list of five different—and maybe somewhat unusual—ways that readers can show some love to their favorite authors.

And hey—they don’t even have to be your favorite authors – if you read their book and liked it, share the love! (I’ve gotta confess—these are all on my writer bucket list.)

  1. Place their work on your body via tattoo art. If you’re into decorating your body with art, use a favorite quote, character, or object from a book as an excuse to get more ink! Not a fan of written quotes and how they look? Take the quote to your favorite tattoo artist (I’m a big fan of James Tuck) and ask them to use it as inspiration for an original piece. (Obviously don’t do this one if you’re not allowed to get a tattoo for parental, legal, health, or religious reasons.) Literary tattoos make great conversation pieces, and you’ll be supporting not just one but two creative people!
  2. Make some fan art. As a reader, I love seeing other people’s takes on a book I’ve read and enjoyed. I especially love it when a writer will post (with permission) pictures of fan art they’ve received. These may range from basic pencil or crayon sketches all the way to professional-level drawings, but the one thing they all have in common is a shared love of the writer’s world that they are expressing authentically. Sometimes the characters depicted in the art look exactly as I’d imagined in my head—and sometimes they don’t. That’s all part of the fun of it!
  3. Pick their book for your book club. Don’t have a book club? Start one! All joking aside, this is a great way to find people with whom you can schmooze about the books you enjoy over a nice snack and beverage. Not only that, but you’re helping an author find a wider audience, and that is a magical thing. If you reach out to them, the author might even be available to attend your book club meeting and answer your questions about their work, either in person or via Zoom. At the very least, they will appreciate the gesture.
  4. Write a poem praising them. The more complicated in terms of meter and rhyme the better! There exists a long literary tradition of praising someone by writing a poem (the technical term is, coincidentally enough, “praise poem”). Channel your inner chaotic good Bard and share your love of a writer’s writing by writing them some writing about their writing!
  5. And of course, give them a review, subscribe to their newsletter, and follow their public platform! Every writer I know spends a lot of time trying to figure out how to communicate with the people who enjoy their work. Whether it’s a website blog, social media account, or newsletter, authors love to hear from the folks who have read and enjoyed their work. Let’s face it—this is a hard business to gain financial fortune; many of us really appreciate the messages from our fans that feed our souls in between royalty checks. And if you’ve followed a single writer online, you already know how much reviews mean to writers (and their publishers!)

So there you have it! Five different ways you can show authors some love. Maybe one of these will be perfect for the book you’re reading now. What’s that? You are in need of a book to read? Not to worry—check out one of the Literary Underworld’s nearly 200 titles—and if you end up getting some new ink, or hosting a book club, or want to send us some fan art, then drop us a line. We’d love to hear from you!


Rachel A. Brune graduated from the NYU Tisch School of the Arts in May 2000, and was immediately plunged into the low-stakes world of entry-level executive assistantship. Her unexpected journey out of that world and into the military is chronicled in her self-published book Echoes and Premonitions. Rachel served five years as a combat journalist, including two tours in Iraq, and a brief stint as a columnist for her hometown newspaper. After her second tour, she attended graduate school at the University at Albany in NY, where she earned her M.A. in political communication, and her commission as a second lieutenant in the military police corps.

Although her day job has taken in her in many strange, often twisted directions, Rachel continues to write and publish short fiction. She released her first novel, Soft Target, in early 2013, and other books have followed. In addition to writing, she is the founder and chief editor at Crone Girls Press and edits the Falstaff Dread line of horror fiction at Falstaff Books.

The structure and writing of Days of Darkness

 

Days of Darkness proved to be a very interesting project for me in terms of the overall structure and kind of writing necessary to tell this particular story.  It is a unique story for several reasons, and as such it brings it into some rarer territory when it comes to the elements typically used in writing novels, or even feature film screenplays.

One thing that readers of the book may be surprised by is that Days of Darkness has no protagonist.  Nor is there an anti-hero.  In fact, the main character that readers follow the entire story with, Ambrose, is a very despicable individual, and any sense of an arc concentrates merely on the process of personal revelation, as opposed to a fundamental development of character like is seen with main characters in novella/novel-length fiction.

In most other realms of storytelling, it is difficult to tell a tale where the reader is not going to have a strong connection of some kind with the character whose perspective the story is being told through.  In most stories, the lack of a main character to bond with is a shortcoming.  In Days of Darkness, not only was it not any kind of shortcoming, I found, but rather a strength that was the best route for this tale.

Here, the dynamic of the story from start to finish is that of a steady, dark-edged thrill ride, and it is more the setting and the journey through it that propels the reader through the story, without the typical bond a reader typically has with a more common type of main character.  Ambrose’s encounters and interactions with the unfolding world around him, rather than a character arc, are what draws the reader in deeper and creates a hunger to see what comes next.

The nature of this story’s main character also had a strong effect on the overall structure of this story.  There are three primary phases in the novel, but they do not fall into any usual kind of three-act structure.  The first part of the story takes place in an urban setting, the second in a suburban setting, and the third in a rural setting, after which things come full circle for the climax of the storyline.

Throughout all of these phases, there is a constant escalation of action and scale.  It begins with the world as most of us know it, with nothing seeming to be out of the ordinary.  Then, things begin to gradually unravel, and as they do, the stakes get bigger in relation to the kinds of entities that begin to manifest and the chaos that breaks out and spreads within this world.

There is not really an ebb and flow, but rather a steady, expanding progression, until the reader arrives at the grand finale, which features an event that exceeds the magnitude of everything that has taken place before that.

The atmosphere, the settings, and the nature of this particular Hellscape drive the story on a continuum as Ambrose is taken along a macabre journey of revelation and ultimate accountability.

Looking back on Days of Darkness, I am confident that readers will find this book engaging, compelling, and intriguing; and even though it may be disturbing at times, there are thought-provoking themes regarding the nature and essence of evil underlying all of it.

To do this without a more typical novel structure, and without any sort of protagonist or anti-hero driving at the core of this story, has marked another stride in my writing and storytelling.  It is not the usual horror novel, but it delivers a powerful and unique kind of story that readers of the horror genre are going to love.  My wish is that readers come to enjoy it as much as I did writing it!

I am already looking forward to writing the next foray into the Hellscapes, no matter the form it may take!

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Stephen Zimmer is an award-winning author, filmmaker, and broadcaster based out of Lexington, Kentucky. His titles as an author include the Rayden Valkyrie Tales (sword and sorcery), the Ragnar Stormbringer Tales (sword and sorcery), the Hongvi Shadow Walker Tales (sword and sorcery) the Faraway Saga (YA dystopian), the Rising Dawn Saga (cross-genre), the Fires in Eden Series (epic fantasy), the Hellscapes short story collections (horror), the Chronicles of Ave short story collections (fantasy), and the Harvey and Solomon Tales (steampunk).

Stephen’s visual work includes the feature film Shadows Light, short films such as The Sirens and Swordbearer, and the Rayden Valkyrie: Saga of a Lionheart TV pilot. Stephen also co-hosts the Star Chamber Show, a weekly live audio podcast on PodBean featuring creative talents from around the world.

Stephen is a proud Kentucky Colonel who also enjoys the realms of music, martial arts, good bourbons, and spending time with family.

Author Links:

  • Website: www.stephenzimmer.com
  • Facebook: www.facebook.com/stephenzimmer7
  • X App (Formerly Twitter): @sgzimmer
  • Instagram: @stephenzimmer7
  • Threads: @stephenzimmer7
  • TikTok: @stephenzimmer7

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Days of Darkness

Ambrose awakens to find dense, rolling layers of ash-gray clouds spanning to the far horizon, shrouding the city beneath in a drab pall.  He begins his day, thinking it no different from any other.

Though it is in the height of summer, an icy, anomalous chill sifts into the air later that day, until it becomes colder than the depths of winter.

Then, the sun sets, and darkness falls.

The night does not end, as there is no sunrise to follow.

Bizarre and frightening apparitions begin appearing across a city and world shrouded in an inexplicable darkness.  It is only the beginning of an unfurling, deepening nightmare, one that will take Ambrose on a terrifying journey of self-discovery and revelation.

For Ambrose, and everyone in the world around him, the Days of Darkness have only just begun.

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