How not to write a mystery

by Sela Carsen

I love slow British mysteries.

Absolutely adore them. I have woven many a scarf and stitched many a pattern to the charming yet dangerous village life of Midsummer Murders and Father Brown. The very slightly grittier settings of Endeavour and Grantchester live in my DVR, saved to watch at my leisure like perfect after-dinner treats. Even my audiobook accounts are filled with Christie and Conan-Doyle, Sayers and Marsh and Allingham.

I couldn’t write a mystery to save my life.

I don’t think I’m meant to.

This bothers me not at all. I love writing romance. Fun, light, action-filled romance with swoony heroes and smartass heroines. But there’s never a mystery involved. Those are not the turns and twists I write into my stories.

So why don’t I, or won’t I, write mysteries? And really, should I care?

Because writing a mystery would take all the fun out of it for me.

Any genre that you write becomes an object of study. We read other authors in our niche to see how they do their job and what the job entails. Genre is sort of a self-policing enterprise. We define our terms based on rules that we create as a group within the niche. The “whodunit” types of stories I enjoy have their own pacing, language, and arcs.

I can deconstruct a romance faster than you can say billionaire rancher bear shifter hero, but that amount of study means that I’ve taken some of the, well, the mystery out of the process. I can see all the ins and outs of how the whole thing is put together. I’ve drawn back the curtain and alas, the writer is only human.

But with mystery, I can still sit back and enjoy the magic. I don’t really want to see how the trick is done, I just want to watch and smile and clap. I want to be a spectator at the show, not the one behind the scenes.

There is, I think, such a thing as knowing too much, and it can take the joy out of the small things. I’ll always love writing romance as the work I do, but in my off time, I’d rather keep my small happinesses.

So let’s start another season of Inspector Barnaby’s trials while I put the kettle on.

SELA CARSEN is an award-winning author of paranormal and sci-fi romance — with or without sex and dead bodies. Your pick. She maintains a permanent nerd-on for fairytales and mythology, and openly hoards reference books about obscure folklore. Born a wanderer, she and her family have finally settled in the Midwest. Until they move again, at least. Find out more at selacarsen.com!